Dark Mountain: Issue 19

Our nineteenth book revolves around the theme of death, lament and regeneration.

With escalating reports of species extinction, the loss of habitats, and now a global pandemic, many people are waking up to the grief and loss that have threaded through the work Dark Mountain Project since it began. During a decade of descent, the books have appeared like small arks bobbing on a dark ocean, containers for creative work that mourns both ecological and cultural collapse and celebrates the beauty of a vanishing world.

LINK: https://dark-mountain.net/product/dark-mountain-issue-19/

Our core question we took with us as we began this voyage: How can we face and properly lament what has gone?

Shrouded, like a moth inside its cocoon, this collection sets out to hold ways to collectively mourn the loss not only of our fellow humans, but the wild world that has always succoured us. Our forebears knew the effect the dead have on life and the importance of grieving, of keeping the dead close. Our task was to find the words and images that mark the loss in ways we might have forgotten but still lie deep buried within us: how we might, like Caroline Ross, fashion our own Grave Goods out of deerskin and bronze, occupy the Houses of the Dead as in Fawzia Kane’s poems, and bear witness as Stephanie Krzywonos does, watching a penguin walk to its death in the arid Antarctic interior. How we can encounter the currents of the mythic beneath the ordinary world on a South Dakota highway as Samantha Wallen reminds us in The Death Mother.

The book has been created as a memorial by 60+ artists and writers, a gathering of testimonies from people and places, grief walkers and haunted lands. Ringed by the ashes of the burned forests of Australia and the Americas, entwined with the now-vanished tree roots of Deru Anding’s native Borneo, it enshrines the broken bones of dead creatures, reconfigured in ceremonial staffs by Jim Carter or intricately observed drawings by Kathryn Poole, the fallen feathers of the gyrfalcon, the wren and the black grouse, the testimonies of ancient grains and antediluvian fossils, wreathed by leaves of roseroot from Greenland and milkweed seeds from Ontario, the sharp scent of Mexican marigolds that light our way to the Underworld.

Words and images to take with us as companions into the dark…

Planet of the Humans | Full Documentary | Directed by Jeff Gibbs

Planet of the HumansPlanet of the Humans, a documentary that dares to say what no one else will — that we are losing the battle to stop climate change on planet earth because we are following leaders who have taken us down the wrong road — selling out the green movement to wealthy interests and corporate America. This film is the wake-up call to the reality we are afraid to face: that in the midst of a human-caused extinction event, the environmental movement’s answer is to push for techno-fixes and band-aids. It’s too little, too late.


‘I want people to understand what really happened’: did the Son of Sam serial killer act alone?

Netflix’s The Sons of Sam: A Descent into Darkness re-examines the infamous New York serial killer through the eyes of one man’s obsession with the case

For anybody who grew up in New York City, this is the case,’ said the series’ director, Joshua Zeman. Photograph: Courtesy of Netflix
For anybody who grew up in New York City, this is the case,’ said the series’ director, Joshua Zeman. Photograph: Courtesy of Netflix

The Sons of Sam, a four-part series which jumps off from the panic of summer 1977, argues that Berkowitz probably did not act alone, based primarily on the work of the late investigator Maury Terry, whose zeal for solving the case spiraled from grounded skepticism to manic obsession over the course of several decades. Terry, who died at 69 in 2015, was initially skeptical of the NYPD’s explanation for the case, not least because the department was under enormous public pressure to capture the killer and lock up the investigation. Although Berkowitz eventually claimed, from prison for six consecutive life sentences, that he acted in concert with others as part of a satanic cult, the official narrative remained that Berkowitz was the sole culprit.

Link to article: https://www.theguardian.com/tv-and-radio/2021/may/05/the-sons-of-sam-netflix-docuseries-serial-killer


Sheldon Solomon is one of the co-developers of Terror Management Theory, and a co-author of the book The Worm at the Core: On the role of Death in Life, in this episode we discuss mortality, death anxiety and the meaning of life in relation to death.

LINK: https://hermitix.podiant.co/e/death-and-terror-management-theory-with-sheldon-solomon-396f97ff6c8988/

Suzanne Simard Explores The The Forest Society Of Trees In Book

NPR’s Scott Simon talks with forestry scientist Suzanne Simard about her book, Finding the Mother Tree, and the real lives of trees.

LINK: https://www.npr.org/2021/05/01/992670191/suzanne-simard-explores-the-the-forest-society-of-trees-in-book

Book: https://www.goodreads.com/book/show/54976983-finding-the-mother-tree

Paul Kingsnorth and the Truer Path of Worship

Beast gives us a contemporary parable that illustrates loss and breakdown in a single individual. This narrator, one Edward Buckmaster, is from the same part of eastern England as his previous protagonist. Having abandoned his family to squat in a run-down farmhouse on the moors of Western England, the narrator seeks re-enchantment, in Weber’s sense: “I need to be in the places where the light comes through, where people are thin on the ground, where the old spirits still mutter in the hedges and the stone rows” (10). Buckmaster rejects the empty, dead, asphalt-paved world from which he comes, but at the same time, he has left a wife and a newborn daughter behind. It is the human cost of this attempt to gain an Archimedean vantage point on the world which leads Kingsnorth’s narrator to conclude,

Nothing is really clear, but this no longer seems to matter. I once thought that my challenge was to understand everything, to build a structure in my mind that would support all that I experienced in the world. But there is no structure that will not fall in the end and crush you under it. (162)

During a storm, part of the roof on Buckmaster’s old farmhouse collapses, partially crushing him. In the ensuing delirium of his recovery, the reader’s mystification about what is real and what is not real mirrors the narrator’s same confusion. This increasing uncertainty is even illustrated in the language of the narrator’s monologue: as the book proceeds, grammar and punctuation gradually disappear, only re-appearing at the end as he apparently re-emerges from his delirium, with the lines quoted above.


Full review: https://www.frontporchrepublic.com/2021/04/paul-kingsnorth-and-the-truer-path-of-worship/?fbclid=IwAR3tYnITQo2QnFy6Je3iGfiB6quIrTFlfpY_jd6ieklp9WmCrS5d2erRbbc

The Spring 2021 Earth First Newsletter is here!

Read the newsletter below, or click here to download

Welcome back to Earth First! News, our now-sporadic-but-usually-quarterly newsletter published in between regular print issues of the Journal. This spring issue features Ecowars from December 2020 through February 2021, an update on the state of the EF! movement, an interview with Appalachians Against Pipelines following the extraction of their 932-day treesit blockade, updated political prisoner information, a reportback from last October’s Midwest Climb Camp, a directory, and more.

This edition of the News was compiled by a groundbreaking volunteer virtual editorial collective which included Beetle, Earthworm, Gnat, Mala, Nada, Sage and Sunflower.

LINK TO SITE: https://earthfirstjournal.news/2021/04/26/the-spring-2021-newsletter-is-here/


Ernst Jünger’s Philosophy of Technology with Vincent Blok

Vincent Blok is associate professor in Philosophy of Technology & Responsible Innovation at the Philosophy Group, Wageningen University. In this episode we discuss his book Ernst Jünger’s Philosophy of Technology: Heidegger and the Poetics of the Anthropocene, alongside discussions on Heideggerian philosophy, Spengler, war and morality.

LINK: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5wb2RpYW50LmNvL2hlcm1pdGl4L3Jzcy54bWw/episode/MmVkY2FkN2YtOWMzMi00N2M0LTg4MDgtMDBhNWJmNGNiMGZh?sa=X&ved=0CAUQkfYCahcKEwio77mJ3pTwAhUAAAAAHQAAAAAQCQ

Night Forest Journal Issue 3

The world has been a strange place since the release of the second issue of our journal. This strange quality has permeated near all aspects of civilisation, in more ways than we could articulate here. In a very long book, the philosopher Schopenhauer described poetry as being greater than history, as history can only account for a generalised description of the world (re-presented at a distance), while poetry articulates the experience of living in a moment, as the experiencer seeks to express ir. So, while these words are not a generalised totalising narrative of the experience of being in the world, they are expressions that these individuals wished to articulate, of their experience of this strange world.

This announcement is not for just one release, but for two. Alongside the release of our third journal, we are releasing a collection of poems written by Phen Weston and Julian Langer. To all of those who have contributed to the journal, we are sincerely grateful to receive your words. To all of you who may read these collections, we hope you find some beauty in these works.

Click to access night-forest-poetry-issue-3.pdf

LINK: https://nightforestpoetry.wordpress.com/2021/04/24/night-forest-journal-issue-3/