CBR and CBZ are standard digital comic formats. There are lots of free readers for tablets and desktop/laptop computers. You should read these on a tablet or laptop/desktop computer, not a phone, for legibility reasons. Of course, the links won’t be clickable in this format, but the art and text have good-quality resolution.
Hello!
ATC is happy to hand out the first issue of the Anti-Tech Collective Journal. The journal features 4 essays but should be enough to keep you busy for a while! This project has been an experiment in focussing on subscriber-submitted contributions, differing significantly from ATC’s past publication projects. We look forward to hearing all of your feedback–both positive and negative–as this is primarily a community endeavor to foster discussion of and expose to anti-tech ideas.
Happy reading, and apologies for the general lack of communication,
The ATC team
ATCJ 1.1Empiricism, algorithms and smartphones are out – astrology, art and a life lived fiercely offline are in
Cultural upheavals can be a riddle in real time. Trends that might seem obvious in hindsight are poorly understood in the present or not fathomed at all. We live in turbulent times now, at the tail end of a pandemic that killed millions and, for a period, reordered existence as we knew it. It marked, perhaps more than any other crisis in modern times, a new era, the world of the 2010s wrenched away for good.
What comes next can’t be known – not with so much war and political instability, the rise of autocrats around the world, and the growing plausibility of a second Donald Trump term. Within the roil – or below it – one can hazard, at least, a hypothesis: a change is here and it should be named. A rebellion, both conscious and unconscious, has begun. It is happening both online and off-, and the off is where the youth, one day, might prefer to wage it. It echoes, in its own way, a great shift that came more than two centuries ago, out of the ashes of the Napoleonic wars.
The new romanticism has arrived, butting up against and even outright rejecting the empiricism that reigned for a significant chunk of this century. Backlash is bubbling against tech’s dominance of everyday life, particularly the godlike algorithms – their true calculus still proprietary – that rule all of digital existence.
READ COMPLETE ARTICLE: https://www.theguardian.com/commentisfree/2023/dec/28/new-romanticism-technology-backlash
https://twitter.com/scrowder/status/1721545965402726734
Portions of the manifesto belonging to Nashville school shooter Audrey Hale are circulating social media after months of debate regarding its release.
Steven Crowder, the host of the Louder with Crowder talk show, shared leaked images from the manifesto Monday morning. The pages released by Crowder allegedly reveal the intentions behind Hale’s deadly attack.
Wanna kill all you little c*******,” one page from the manifesto reads. “Bunch of little f****** w/ your white privlages f*** you f******.”
The National Desk has verified the authenticity of the leaked images through its Nashville affiliate, FOX 17 News.
In 1991, archaeologists made an unprecedented discovery in a remote region of Brazil – a massive collection of prehistoric rock art spanning over 8 miles within the Serra da Capivara mountains. Carbon dating revealed the drawings dated back approximately 12,600 years, offering a… pic.twitter.com/yWzLPbzzZl
— Fascinating (@fasc1nate) November 4, 2023
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https://www.ft.com/content/f8ecb986-f1b5-4df0-9c59-0f2aa2b5fd9e
Collectors of the work of early 20th-century English artist and occultist Austin Osman Spare have, up until now, been of a type. Jimmy Page of Led Zeppelin has a notable number of paintings, as did the late Genesis P-Orridge – founder of industrial sound provocateurs Throbbing Gristle. In his memoir, Orridge describes an acquaintance shaking and shouting: “Those paintings, cover them, they’re alive!” One particular work, The Ides, depicting two aggressive-looking self-portraits of Spare flanked by Romanian prostitutes, was turned to face the wall. Months later, after touring overseas, Orridge returned to discover house-sitters had turned the painting around and vanished, leaving rooms splattered with red paint. Spooked, Orridge sold the painting to Chris Stein of Blondie.
LINK: https://www.ft.com/content/f8ecb986-f1b5-4df0-9c59-0f2aa2b5fd9e
“Instrumental reason is at the core of the emerging bio-tech paradigm, which is rapidly increasing the social, ecological, and spiritual degradation produced by civilization as a model of dominance. To counter this apocalyptic scenario based on the domination of nature, I propose poetic reason as the foundational matrix to move away from the instrumentalization of life in order to reshape in a more harmonious way the coexistence of human beings with each other, the environment, the cosmological order, and the animal realm.”
https://twitter.com/littleblackcart/status/1673835037186473984
Chapter 3 of the Liminal Cycle
Knowledge of Liminal and Xen, which make up the first two parts of the trilogy, will be necessary for understanding this work.
A product plan left behind documents the creator’s descent into a parallel world or maybe simply madness. A story about persona, identity, liminality, and voice.
I’m joined by Richard Saville-Smith to discuss his book Acute Religious ExperiencesMadness, Psychosis and Religious Studies.
Book link: https://www.bloomsbury.com/uk/acute-religious-experiences-9781350272910/
