Sheldon Solomon is one of the co-developers of Terror Management Theory, and a co-author of the book The Worm at the Core: On the role of Death in Life, in this episode we discuss mortality, death anxiety and the meaning of life in relation to death.
NPR’s Scott Simon talks with forestry scientist Suzanne Simard about her book, Finding the Mother Tree, and the real lives of trees.
Beast gives us a contemporary parable that illustrates loss and breakdown in a single individual. This narrator, one Edward Buckmaster, is from the same part of eastern England as his previous protagonist. Having abandoned his family to squat in a run-down farmhouse on the moors of Western England, the narrator seeks re-enchantment, in Weber’s sense: “I need to be in the places where the light comes through, where people are thin on the ground, where the old spirits still mutter in the hedges and the stone rows” (10). Buckmaster rejects the empty, dead, asphalt-paved world from which he comes, but at the same time, he has left a wife and a newborn daughter behind. It is the human cost of this attempt to gain an Archimedean vantage point on the world which leads Kingsnorth’s narrator to conclude,
Nothing is really clear, but this no longer seems to matter. I once thought that my challenge was to understand everything, to build a structure in my mind that would support all that I experienced in the world. But there is no structure that will not fall in the end and crush you under it. (162)
During a storm, part of the roof on Buckmaster’s old farmhouse collapses, partially crushing him. In the ensuing delirium of his recovery, the reader’s mystification about what is real and what is not real mirrors the narrator’s same confusion. This increasing uncertainty is even illustrated in the language of the narrator’s monologue: as the book proceeds, grammar and punctuation gradually disappear, only re-appearing at the end as he apparently re-emerges from his delirium, with the lines quoted above.
Read the newsletter below, or click here to download
Welcome back to Earth First! News, our now-sporadic-but-usually-quarterly newsletter published in between regular print issues of the Journal. This spring issue features Ecowars from December 2020 through February 2021, an update on the state of the EF! movement, an interview with Appalachians Against Pipelines following the extraction of their 932-day treesit blockade, updated political prisoner information, a reportback from last October’s Midwest Climb Camp, a directory, and more.
This edition of the News was compiled by a groundbreaking volunteer virtual editorial collective which included Beetle, Earthworm, Gnat, Mala, Nada, Sage and Sunflower.Spring-2021-Read-and-Print-1
Vincent Blok is associate professor in Philosophy of Technology & Responsible Innovation at the Philosophy Group, Wageningen University. In this episode we discuss his book Ernst Jünger’s Philosophy of Technology: Heidegger and the Poetics of the Anthropocene, alongside discussions on Heideggerian philosophy, Spengler, war and morality.
The world has been a strange place since the release of the second issue of our journal. This strange quality has permeated near all aspects of civilisation, in more ways than we could articulate here. In a very long book, the philosopher Schopenhauer described poetry as being greater than history, as history can only account for a generalised description of the world (re-presented at a distance), while poetry articulates the experience of living in a moment, as the experiencer seeks to express ir. So, while these words are not a generalised totalising narrative of the experience of being in the world, they are expressions that these individuals wished to articulate, of their experience of this strange world.
This announcement is not for just one release, but for two. Alongside the release of our third journal, we are releasing a collection of poems written by Phen Weston and Julian Langer. To all of those who have contributed to the journal, we are sincerely grateful to receive your words. To all of you who may read these collections, we hope you find some beauty in these works.
In the 1974 cult-classic teleplay Penda’s Fen, the past holds the key to escaping the catastrophic present. We too can learn from wilder pasts in our confrontations with capitalism today.
If you were to search for artwork by Bryan Charnley, what follows is a collection of unhinged and chaotic scenes. A shocking yet gripping insight into the world of mental disintegration.
Charnley’s unmistakable use of extreme and sometimes violent serialism is very recognisable in the world of outsider art. But the work that stands out to most people is his 17 final self portraits, alongside a diary, that documents a tragic story about his struggles living with Schizophrenia, right up until his final days before committing suicide in July 1991.
In this video we are going to explore the mind of this troubled yet talented artist, as well as the final self portraits that reflected a mind so desperately in decline.