Tag: art

David Cronenberg’s ‘Crimes of the Future’ Will Stir Up Controversy

Original story: https://www.worldofreel.com/blog/2022/4/pg6gvpiho6x9kfdk09mg4weuxrymhd

It was almost a foregone conclusion that David Cronenberg would be bringing his upcoming “Crimes of the Future” to this coming May’s Cannes Film Festival.

The film is now being screened for international programmers, and I was lucky enough to find one reaction that will make absolutely every cinephile excited about the legendary director’s much-anticipated comeback vehicle…

“I cannot say much, obviously, but if people thought “Crash” was divise back in 1996, this is going to create way more chaos and controversy for sure. The last twenty minutes are a very tough sit. I expect walk-outs, faintings and real panic attacks (I almost had one myself!) at the Lumière theatre. No hyperbole, I promise.”

“Seydoux’s role is way too bonkers and RADICAL to contend for a Cannes Best Actress award in my book, but I’d love to be proven wrong. I see no precedent in Cannes for a performance of that caliber/genre gaining momentum with a jury … I mean Seydoux basically plays a (very oft-naked) Gina Pane-like artist of the near future.”

Please inject this movie into my veins right this minute.

Cronenberg hasn’t directed a film since 2014’s “Map to the Stars.” This latest one, his return to sci-fi after an almost 23 year absence, is also rumoured to the be 79-year-old’s swan song.

Extended Synopsis for”Crimes of the Future”:

“Taking a deep dive into the not-so-distant future where humankind is learning to adapt to its synthetic surroundings. This evolution moves humans beyond their natural state and into a metamorphosis, altering their biological makeup. While some embrace the limitless potential of trans-humanism, others attempt to police it. Either way, ‘Accelerated Evolution Syndrome’ is spreading fast. Saul Tenser is a beloved performance artist who has embraced Accelerated Evolution Syndrome, sprouting new and unexpected organs in his body. Along with his partner Caprice, Tenser has turned the removal of these organs into a spectacle for his loyal followers to marvel at in real time theatre. But with both the government and a strange subculture taking note, Tenser is forced to consider what would be his most shocking performance of all.”

Rage by Stephen King | The Book You’re Not Supposed to Read

Rage by Stephen King | The Book You're Not Supposed to Read

Rage by “Richard Bachman” epub download

Wikipedia

Rage (written as Getting It On; the title was changed before publication) is a psychological thriller novel by American writer Stephen King, the first he published under the pseudonym Richard Bachman. It was first published in 1977 and then was collected in 1985 in the hardcover omnibus The Bachman Books. The novel describes a school shooting, and has been associated with actual high school shooting incidents in the 1980s and 1990s. In response King allowed the novel to fall out of print, and in 2013 he published a non-fiction, anti-firearms violence essay titled “Guns”.

 

The Avant-Garde Filmmaker Who Tried to Tell the Truth

An innovative retrospective of work by Jonas Mekas reveals the fundamental honesty of his “diary” films.

Jonas Mekas, in his hometown, Semeniskiai, Lithuania, in a 1971 photograph by Antanas Sutkus.Credit...Artists Rights Society (ARS), New York / LATGA-A, Vilnius
Jonas Mekas, in his hometown, Semeniskiai, Lithuania, in a 1971 photograph by Antanas Sutkus.Credit…Artists Rights Society (ARS), New York / LATGA-A, Vilnius

A Lithuanian refugee who landed in New York City in 1949 at the age of 27, Jonas Mekas became a founder of the Film-Makers’ Cooperative, Film Culture magazine and Anthology Film Archives. He was the first full-time critic at The Village Voice, writing about film, and a widely published poet. But he also made scores of collagelike “diary” films that documented his busy, art-filled life.

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The Descent of Autofiction … and the Rise of the Literary Thrill-Seeking Industrial Complex

February 4, 2022 • By Jack Skelley

AUTOFICTION IS A fiction. It does not exist. More specifically, defined as a form of literature in which a first-person narrator may or may not represent the author, autofiction excludes next to nothing but genre fiction — e.g., crime stories, fantasy. If it’s everything, it’s nothing.

Just ask Chris Kraus. The co-publisher and editor (with Hedi El Kholti and the late Sylvère Lotringer) of Semiotext(e) has brought decades of character-narrative to light, including the early work of autofiction pioneer Kathy Acker. “I always hated the term,” Kraus tells me. “‘New narrative’ is more accurate.”

When it ignited in the late 1970s, Acker’s work had no specific classification. It did anything and went anywhere. Today, its giddy, free-range, punk-rock, first-person spews and cut-ups (spatula’d together equally from porno and the literary canon) liberate quasi-multitudes. Kraus was also among the first to consciously codify this non-genre when she detonated I Love Dick (Semiotext(e), 1997), her novel that plays with the “I” in supremely unsettling bursts. You could even argue that I Love Dick, which often slips into art criticism and political commentary, also opened the way for “autotheory” — e.g., the bio-based lyric essays of Maggie Nelson.

With the proliferation of indie presses, “now is as good a time as any in writing,” Kraus tells me.

People are inclined to adopt these forms. But Kathy Acker had something no longer possible: a chamber audience. The art and literary world of her day was like the French court of the 18th century: she was writing to a set of known persons. There was a real-life distribution network of bookstores, record stores, coffee shops, and other intimate hangouts. People don’t live in cities in the same way now.

But if intimacy abates, new narrative booms. Its dissociative forms and themes — the anxiety/bliss of romance/sex, psychic roleplay, identity-in-ideology, dream states, trauma, more sex — now serve a community of passion addicts, haunted memoirists, and mental thrill-riders hungering for a higher high, some even using books as panic management, with somatic responses in “triggered” modes or via sub-sub-subgenres. Raise your hand if you’re into “ambient body horror.”

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Psywarfare: Dwid Hellion Explores the Past & Present of Noise Music

If I had to pick my own introduction to the genre of noise, it would be around 1992. We were skateboarding one night, and this kid that I kinda recognized from school rolled up with “FVG/\ZI” and the Crass logo spray painted on his grip tape. He had a mohawk and an army jacket, and a hell of a one-footed ollie. The next day, I went to the record store Noise Noise Noise and bought The Feeding of The 5000, and was hit by a 2-minute and 42-second dose of spoken word/noise called “asylum”.

In 1996, Victory Records released a split 7-inch with Integrity and Psywarfare, and two years later a split 7-inch with Integrity and Lockweld. I may not have totally understood the sounds at the time, but I accepted them.

By 2008, I was experimenting with making my own noise and shortly after, struck up a friendship with Dwid Hellion that has resulted in more productivity and encouragement around my creative endeavors than almost anyone in my life.

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Internet Piracy Is Surging, Researchers Say

New studies reveal that people love to pirate TV and books, and that Americans outpace every other country when it comes to piracy.

The pandemic caused piracy to spike in 2020. According to a pair of reports from security researchers, 2021 was another growth year for online piracy. As first spotted by TorrentFreak, new reports from research groups Akamai and MUSO revealed that users visited pirate sites a total of 132 billion times in the first months of 2021, a 16% rise over the previous year.

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Byung-Chul Han: How Objects Lost their Magic

For the philosopher, our postfactual stimulus culture is one that edges out time-consuming values such as loyalty, ritual and commitment

The other day I accidentally dropped a silver art-deco teapot, which has been my constant companion for the past 20 years. The dent was huge, and so was the measure of my grief. I suffered sleepless nights until I found a silversmith who promised me she could fix it. Now I find myself waiting impatiently for its return, filled with dread that, when it arrives, it will no longer be the same. And yet the experience leaves me wondering: why have I unravelled in this way?

‘Things are points of stability in life,’ the South Korean-born, Swiss-German philosopher Byung-Chul Han writes in his new book, Undinge (Nonobjects), which is just out in German. (As is the way of things with philosophy books, English-language readers might need to wait some time for its appearance in translation). ‘Objects stabilise human life insofar as they give it a continuity,’ Han writes. Living matter and its history bestow on the object a presence, which activates its entire surroundings. Objects – especially well-designed, historically charged objects, and which are not necessarily artworks – can develop almost magical properties. Undinge is about the loss of this magic. ‘The digital order deobjectifies the world by rendering it information,’ he writes. ‘It’s not objects but information that rules the living world. We no longer inhabit heaven and earth, but the Cloud and Google Earth. The world is becoming progressively untouchable, foggy and ghostly.’

 

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Also, you may find many of the books of Byung-Chul Han on Library Genesis

Brazen shoplifting schemes sweep the U.S.

San Francisco’s Union Square. Photo: Miikka Skaffari/Getty Images

Keep up the good work fellow chaotes.

As the holiday season gets underway, groups of thieves have undertaken brazen shoplifting exploits at stores across the U.S.
LINK: https://www.axios.com/organized-crime-shops-us-fef4c489-2ff6-4674-acb3-e36246a16a1c.html

‘XEN: THE ZEN OF THE OTHER’ REFLECTS ON EASTERN MYSTICISM, WEST COAST WILDERNESS,AND KEROUACIAN ISOLATION

Xen - The Zen of the Other

I enjoyed reading Xen: The Zen of the Other, but the audio radio play is even better. Its gusto voice acting, hypnotic musicscapes, and mystical plot all add up to a transporting experience that’s beyond what we normally expect from a book recording.

Get the Xen: The Zen of the Other audiobook radio play at the Digital Panic Machine Bandcamp page.

Read the entire review here.