David Cronenberg’s ‘Crimes of the Future’ Will Stir Up Controversy

Original story: https://www.worldofreel.com/blog/2022/4/pg6gvpiho6x9kfdk09mg4weuxrymhd

It was almost a foregone conclusion that David Cronenberg would be bringing his upcoming “Crimes of the Future” to this coming May’s Cannes Film Festival.

The film is now being screened for international programmers, and I was lucky enough to find one reaction that will make absolutely every cinephile excited about the legendary director’s much-anticipated comeback vehicle…

“I cannot say much, obviously, but if people thought “Crash” was divise back in 1996, this is going to create way more chaos and controversy for sure. The last twenty minutes are a very tough sit. I expect walk-outs, faintings and real panic attacks (I almost had one myself!) at the Lumière theatre. No hyperbole, I promise.”

“Seydoux’s role is way too bonkers and RADICAL to contend for a Cannes Best Actress award in my book, but I’d love to be proven wrong. I see no precedent in Cannes for a performance of that caliber/genre gaining momentum with a jury … I mean Seydoux basically plays a (very oft-naked) Gina Pane-like artist of the near future.”

Please inject this movie into my veins right this minute.

Cronenberg hasn’t directed a film since 2014’s “Map to the Stars.” This latest one, his return to sci-fi after an almost 23 year absence, is also rumoured to the be 79-year-old’s swan song.

Extended Synopsis for”Crimes of the Future”:

“Taking a deep dive into the not-so-distant future where humankind is learning to adapt to its synthetic surroundings. This evolution moves humans beyond their natural state and into a metamorphosis, altering their biological makeup. While some embrace the limitless potential of trans-humanism, others attempt to police it. Either way, ‘Accelerated Evolution Syndrome’ is spreading fast. Saul Tenser is a beloved performance artist who has embraced Accelerated Evolution Syndrome, sprouting new and unexpected organs in his body. Along with his partner Caprice, Tenser has turned the removal of these organs into a spectacle for his loyal followers to marvel at in real time theatre. But with both the government and a strange subculture taking note, Tenser is forced to consider what would be his most shocking performance of all.”

Psywarfare: Dwid Hellion Explores the Past & Present of Noise Music

If I had to pick my own introduction to the genre of noise, it would be around 1992. We were skateboarding one night, and this kid that I kinda recognized from school rolled up with “FVG/\ZI” and the Crass logo spray painted on his grip tape. He had a mohawk and an army jacket, and a hell of a one-footed ollie. The next day, I went to the record store Noise Noise Noise and bought The Feeding of The 5000, and was hit by a 2-minute and 42-second dose of spoken word/noise called “asylum”.

In 1996, Victory Records released a split 7-inch with Integrity and Psywarfare, and two years later a split 7-inch with Integrity and Lockweld. I may not have totally understood the sounds at the time, but I accepted them.

By 2008, I was experimenting with making my own noise and shortly after, struck up a friendship with Dwid Hellion that has resulted in more productivity and encouragement around my creative endeavors than almost anyone in my life.

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‘XEN: THE ZEN OF THE OTHER’ REFLECTS ON EASTERN MYSTICISM, WEST COAST WILDERNESS,AND KEROUACIAN ISOLATION

Xen - The Zen of the Other

I enjoyed reading Xen: The Zen of the Other, but the audio radio play is even better. Its gusto voice acting, hypnotic musicscapes, and mystical plot all add up to a transporting experience that’s beyond what we normally expect from a book recording.

Get the Xen: The Zen of the Other audiobook radio play at the Digital Panic Machine Bandcamp page.

Read the entire review here. 

Episode 55 – Peter Grey and the Two Antichrists

Episode 55 – Peter Grey and the Two Antichrists

…and the lord spoketh, and more episodes of SittingNow Radio were bestowed upon the people. The people were annoyed though, because they’d asked for Playstation 5’s all-round, but hey, they get what they’re given amirite

This week Ken and Ulysses Black sit down with the amazing Peter Grey Occultist and co-founder of the excellent Scarlet Imprint. We talk to Peter about his new book ‘The Two Antichrists’, Scientology, The Future of the Occult, Why Magicians should be looking to space, and not to the past, and a whole host of other weird goodness.

Episode 55 – Peter Grey and the Two Antichrists

For more Peter Grey, check out our SittingNow TV episodes

Main theme by Simon Smerdon (Mothboy)

Music bed by chriszabriskie.com

 

Peter Grey Bio:

Peter Grey has spoken at public events and conferences in England, Scotland, Norway and the United States as well as closed gatherings. These have included Occulture, the Occult Conferences in Glastonbury and London, Treadwell’s Bookshop, the Esoteric Book Conference in Seattle, the Psychology, Art and the Occult conference in London, Here to Go II in Norway, the Trans-States conference in Northampton University and many Pagan Federation events. A long term supporter of the Museum of Witchcraft and Magic in his native Cornwall, his work on the witches’ sabbat was first given at the annual Friends of the Museum gathering.  His work has also appeared in numerous small journals and collections, such as The Fenris Wolf, as well as online. His collected writings, from 2008–2018, are published in The Brazen Vessel (2019) with those of Alkistis Dimech.

His Lucifer: Princeps (2015), is a study of the origins of the figure of Lucifer; he is currently writing the second part, Lucifer: Praxis, which addresses working with the fallen angels of the Enochic tradition and their transvection into the grimoires and modern practice.

Merlin: The Influence Of King Arthur’s Magical Mentor | Merlin – The Legend | Chronicle

This ancient story was an influence on Xen: The Zen of the Other

Merlin is the archetypal wizard, Welsh and Celtic in origin but with connections across the water in Cornwall and middle Europe, and, of course, the Arthurian legends. The powerful wizard is portrayed across folklore with many magical powers, including the power of shapeshifting, and is well-known for being King Arthur’s mentor, ultimately guiding him towards becoming the king of Camelot. In this documentary, we take a deep dive into the fantastic world of Merlin and his influence in today’s society.

How David Foster Wallace Used Compromise Aesthetics to Sell Infinite Jest

How David Foster Wallace Used Compromise Aesthetics to Sell Infinite Jest

Rachel Greenwald Smith on the Treacherous Common Territories of Literary Culture and Capitalism

Ardor characterizes Anderson’s tone, but it also becomes a value in and of itself in her editorial work. “I loathe compromise, and yet I have been compromising in every issue by putting in things that were ‘almost good’ or ‘interesting enough’ or ‘important,’” she writes in this particular issue. “There will be no more of it.”

Against “good poems” she wants to publish capital-A Art, art that goes beyond simply being the best version of itself. Notably diverging from Poetry magazine’s Open Door policy, Anderson believed that truly great art was not a matter of individual quality; it was a matter of ferocity of commitment. She wanted art that could knock a person over, art that “uses up all the life it can get.” She invokes the modernist credo “art for art’s sake,” but in an avant-garde reversal insists that this means not a retreat from the world of politics and history but a commitment to it. “Revolution is Art,” she explains. “You want free people just as you want the Venus that was modelled by the sea.”

READ THE ENTIRE ARTICLE: https://lithub.com/how-david-foster-wallace-used-compromise-aesthetics-to-sell-infinite-jest

The Body, Biopolitics and Covid, The Night Forest Journal Issue 4 – Call For Howls

A repost of https://nightforestpoetry.wordpress.com/2021/07/30/the-body-biopolitics-and-covid-the-night-forest-journal-issue-4-call-for-howls

A howl erupts from the body, out into the world. From the flesh of the animal howling, its musicality rides the air, unseen but undeniably there.

A cough or a sneeze releases tiny particles of a disease named Covid-19 from the body, a presence that can ride upon the air and infect those who cannot see it, or deny its presence. It is not a friend to those animals it makes its host – perhaps it has become a friend to authoritarian governments however? Or has it been a monkeywrench in the machine, undermining political-narratives and creating issues for the state? Perhaps neither? Perhaps both? We do not pretend to know, with any quality of definiteness.

We know that we encounter the body as beautiful. We feel a desire for the bodily presence of living beings. If eroticism is assenting to life up to the point of death, as Bataille defines eroticism, there is an erotic quality to our life-desire. What does desire, eroticism, or love mean amidst a pandemic? Is this space that we find ourselves in the best or the worst space for love poetry? Again, we do not pretend to know.

For the fourth issue of The Night Forest Journal, we are asking for submissions on the body, biopolitics and Covid-19. As with previous issues, we will accept poems, essays, short stories and visual art for this project. Suggested areas of focus are –

Health and wellbeing

Bio-medical authoritarianism

Love, sex and desire in the pandemic

Free-love during lockdowns

Conspiracy and the art of seduction

Medicine-person praxis

Vaccine passports and (micro-)nationalism

We will publish up to 3 submissions from each contributor, but will consider any submissions sent to us. There is no limit in length of poems or essays. Submissions can be sent to us via nightforestpoetry@gmail.com or via our social-media presences. The deadline for submissions is the winter solstice 2021.

Night Forest Journal Issue 3

The world has been a strange place since the release of the second issue of our journal. This strange quality has permeated near all aspects of civilisation, in more ways than we could articulate here. In a very long book, the philosopher Schopenhauer described poetry as being greater than history, as history can only account for a generalised description of the world (re-presented at a distance), while poetry articulates the experience of living in a moment, as the experiencer seeks to express ir. So, while these words are not a generalised totalising narrative of the experience of being in the world, they are expressions that these individuals wished to articulate, of their experience of this strange world.

This announcement is not for just one release, but for two. Alongside the release of our third journal, we are releasing a collection of poems written by Phen Weston and Julian Langer. To all of those who have contributed to the journal, we are sincerely grateful to receive your words. To all of you who may read these collections, we hope you find some beauty in these works.

Click to access night-forest-poetry-issue-3.pdf

LINK: https://nightforestpoetry.wordpress.com/2021/04/24/night-forest-journal-issue-3/

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